The effect is ancient music which sounds contemporary, and Moon has the vocal dexterity to explore the subtle glissandi of the style.
#Gitbox jazz code#
These glorious songs - intimate, yearning, emotional - come from centuries ago but are here arranged for delicate piano (Kevin Field), guitars (Nigel Gavin), violin (Jessica Hindin), upright bass, hand drums and saxophones (Roger Manins). Do You Mean It (Earthquakes From The Gitbox) (2019, CD) - Discogs Release r13242988 Copy Release Code Edit Release New Submission Add to Collection Add to Wantlist Marketplace 5 For Sale from 12.05 Buy CD Sell CD Statistics Have: 23 Want: 9 Avg Rating:4.5 / 5 Ratings: 2 Last Sold:Lowest:7. You can hear and buy this album at bandcamp here, or pre-order the limited edition double CD which comes in a typically impressive hardcover with booklet.Although this enchanting album - songs of the Sephardic Jews of Spain might seem a departure for Auckland-based jazz singer Carolina Moon, she has previously explored what we might call world music, although never with this depth and resonance.
#Gitbox jazz full#
Further evidence of how linear time comes full circle with Curveball. Yet, out of that exotic and evocative melange of styles and influences, what emerges is - and has always been - distinctively Gitbox.įinally, the cover art is by Graeme Gash (also a guitarist, formerly of Waves) whose distinctive work graced the group's previous albums. The listener's mind can be taken towards contemporary classical music allusions to Spanish, Middle Eastern or North African styles the freedom of jazz, entrancement of minimalism or the economy of pop. Thirty years ago as Gitbox Rebellion - some of the original members still in the current line-up - they launched the Rattle label, so this album was an anniversary homecoming. Gitbox occupies a singular place in New Zealand music in that it draws from diverse sources. Recently I was invited to write the liner notes for this new release by Aucklands Gitbox guitar ensemble. The perfect encore for their rebellious, pesky digits. The bonus is hearing the ensemble in concert on the second disc where they essay some Curveball material but also other pieces, among them a variation on Threnody for Francisco Mendez from their debut album, a nod to the completion of that circle of time here.Īnd they close with Ennio Morricone's dramatic theme to The Good, the Bad and the Ugly. And a reminder of how sophisticated and seasoned these players are.įour of the group's original members – Nigel Gavin, Kim Halliday, Bodie Hermans and Russell Hughes – are still here, advancing this distinctive project into its fourth decade.
As always, Gitbox subverts expectations but also deliver their beautifully realised, sometimes algebraic, melodies with a lively vigour or an elegant stateliness.įrom the pristine opening chimes of the ethereal Sanctuary where the glistening notes hang in still air and the urgently repeated figure which opens Absent Friend through the sub-tropical balm of the charming Dhoggs (My Dog Doesn’t Respect Me) to the concert chamber concentration and aural dynamics of the title track and beyond, the first disc of studio recordings is a constant revelation. And it has recorded artists as unique as the percussion group From Scratch and now, again, Gitbox.Ĭurveball – an appropriate title for a Gitbox and Rattle album – is the group's third for the label following Pesky Digits and Touch Wood in '94. Under the assured stewardship of helmsman Steve Garden, Rattle has since taken listeners on journeys through classical, jazz, sonic experimentalism, improvised music, the evocative sounds of taonga puoro. Thirty years ago, the Rattle label launched itself with the album Pesky Digits by the Auckland guitar ensemble, Gitbox Rebellion. But sometimes we can feel it as circular. Time, as we live through it, seems linear. Thirty years ago as Gitbox Rebellion - some of the original members still in the current line-up - they launched the Rattle label, so this album was an anniversary homecoming. Honouring the beautiful character of acoustic guitar, Gitbox Rebellions exuberant blend of jazz, rock, folk and classical will have you in sonic raptures. The sessions were later released on the Last Night I Dreamed of Gary, Indiana EP. Recently I was invited to write the liner notes for this new release by Auckland's Gitbox guitar ensemble. The Queenstown Jazz Orchestra are back to celebrate their 10th year. The groups name hints at conflicting elements in its membership and ethos. Roeland van Niele formed indie pop/rock group Gitbox in 1994 when the Holland native recorded the band's earliest recordings along with Maarten Verdwaald, ex-Big Trouble House member Phil Harder, and Herman Antonisse.
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